{"id":401,"date":"2023-08-27T12:48:50","date_gmt":"2023-08-27T11:48:50","guid":{"rendered":"https:\/\/heinesen.fo\/?page_id=401"},"modified":"2023-12-04T16:22:47","modified_gmt":"2023-12-04T16:22:47","slug":"album-eitt-dypi-av-dyrari-tid","status":"publish","type":"page","link":"https:\/\/heinesen.fo\/en\/index.php\/published-music\/album-eitt-dypi-av-dyrari-tid\/","title":{"rendered":"EITT D\u00ddPI AV D\u00ddRARI T\u00cd\u00d0"},"content":{"rendered":"<h3 style=\"text-align: center;\">(A CHASM OF PRECIOUS TIME)<\/h3>\n<h4>ARTISTS: Elin Brimheim Heinesen, Jens Pauli Heinesen, Enzo De Rosa, Czech National Symphony Orchestra, Tarira Choir, City of Prague Philharmonic Orchestra, T\u00f3rshavnar Mansk\u00f3r<br \/>\nRELEASE DATE: Saturday, November 11th, 2023<\/h4>\n<p><strong>The late Jens Pauli Heinesen, who is considered to be one of the most prominent writers in the Faroe Islands, was celebrated in connection with his 90th birthday on November 12th, 2022, with a great honor event \/ concert in the Nordic House in T\u00f3rshavn on the day of his birthday. The focus at the event was on six of his poems that Elin Brimheim Heinesen, his daughter, has set music to. Magnificent symphonic music has been arranged for the six compositions by the extraordinary Italian composer Enzo De Rosa and was performed at the tribute concert by the Faroe Islands Symphony Orchestra, Enzo De Rosa on the grand piano, the choirs Tarira and T\u00f3rshavn\u2019s Male Choir with Elin as vocal soloist. Studio recordings of the musical works are now finally being released on an album &#8211; both on CD and on vinyl, in addition to digital platforms on the web.<\/strong><\/p>\n<h4>LISTEN TO THE ALBUM HERE:<\/h4>\n<p><a href=\"https:\/\/bfan.link\/eitt-dypi-av-dyrari-tid\" target=\"_blank\" rel=\"noopener\">https:\/\/bfan.link\/eitt-dypi-av-dyrari-tid<\/a><\/p>\n<p><em>OBS! Scroll down to read the lyrics while listening to the album.<\/em><\/p>\n<h4>ALBUM COVER:<\/h4>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-2104 size-large\" src=\"http:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Eitt-dypi-husi-1684x1684-1-1024x1024.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Eitt-dypi-husi-1684x1684-1-1024x1024.jpg 1024w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Eitt-dypi-husi-1684x1684-1-300x300.jpg 300w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Eitt-dypi-husi-1684x1684-1-150x150.jpg 150w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Eitt-dypi-husi-1684x1684-1-768x768.jpg 768w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Eitt-dypi-husi-1684x1684-1-1536x1536.jpg 1536w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Eitt-dypi-husi-1684x1684-1-1300x1300.jpg 1300w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Eitt-dypi-husi-1684x1684-1.jpg 1684w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<h3>RECORDINGS<\/h3>\n<p>The album has been titled: &#8220;Eitt d\u00fdpi av d\u00fdrari t\u00ed\u00f0&#8221; (A Chasm of Precious Time), which was the first song that Elin composed to a poem by her father. The symphonic version could be heard for the first time in 2002 in a documentary film about Jens Pauli Heinesen, which Gulla \u00d8regaard made in connection with his 70th birthday. Now the song is finally being released on CD and on vinyl in an updated mix, together with five other songs that Elin has composed to poems by her father and recorded both in Faroese and in English. Elin has translated the six poems into English and has recorded the songs in English as well, so that there are 6 + 6 songs on the album. Six songs in Faroese, and then the same six songs in English.<\/p>\n<p>Four of the recordings were made with the famous symphony orchestra The Czech National Symphony Orchestra and the choir Tarira, and two recordings were made with The City of Prague Philharmonic Orchestra and the T\u00f3rshavn\u2019s Male Choir. Elin Brimheim Heinesen is the vocal soloist in all the recordings.<\/p>\n<p>The record label TUTL publishes the album. The album is financed via H\u00f3pfigging.fo (crowdfunding) and by Betri Samtaki\u00f0, MOWI, KT-h\u00fasi\u00f0, Mentam\u00e1lar\u00e1\u00f0ir\u00e1\u00f0, Mentanargrunnur Landsins, T\u00f3rshavnar Kommuna, V\u00e1ga Kommuna, in addition to Elin herself.<\/p>\n<h3>WHY PUBLISH THIS ALBUM<\/h3>\n<p>The importance that Jens Pauli Heinesen&#8217;s literary works have had for the Faroese society cannot be underestimated. No one has written as much prose about life in the Faroe Islands during the Second World War and in the period leading up to the turn of the millennium as Jens Pauli Heinesen. His extensive literature, which counts around 40 works, has enriched the Faroese people and the Faroese language. His prose reflects Faroese culture and has strengthened and developed Faroese identity.<\/p>\n<p>In his prose, Jens Pauli sheds light on eternally valid, universal subjects as relevant today as when they were written, but seen from a certain point of view that most Faroese can identify with. His works play an important identity-creating role. They take up a lot of space in the Faroese book register and are a great contribution to the total reading material in Faroese, so important to the survival of Faroese as a language.<\/p>\n<p>On this album, the spotlight is put on his poems, which, although few, deserve to be highlighted. In the late 80s, Jens Pauli&#8217;s daughter, Elin Brimheim Heinesen, set music to a poem by her father for the first time. It was the poem <em>Eitt d\u00fdpi av d\u00fdrari ti\u00f0<\/em> <em>(A Chasm of Precious Time)<\/em> \u2013 a song, which all Faroese know today. The song was first released in 1988 on the album <em>NALJA<\/em> by Elin &amp; K\u00e1ri. In 2002, the song was recorded in a symphonic version for a documentary by Gulla \u00d8regaard about Jens Pauli Heinesen, made in connection with his 70th birthday. The now deceased, Danish composer S\u00f8ren Hyldgaard arranged the music for symphony orchestra. The work has since become national heritage and is a highly valued Faroese classic nowadays.<\/p>\n<p>Recently, Elin again set music to another beautiful poem by her father, called <em>S\u00f3leyan l\u00fdsir um fl\u00f8tur (Buttercups Light Up the Meadows)<\/em>. After a successful crowd funding campaign, the song was arranged for symphony orchestra by the Italian composer Enzo De Rosa and recorded with the City of Prague Philhar-monic Orchestra, T\u00f3rshavn&#8217;s Men\u2019s Choir and Elin as the lead vocalist. The song was released as a single and as a music video on November 12th, 2021.<\/p>\n<p>Elin and Enzo decided to continue working together, this time on four other songs Elin made to poems by her father: <em>Fl\u00f3ttin (The Refugee)<\/em>,<em> Heystn\u00e1ttin (Autumn Night)<\/em>, <em>Eg gangi vi\u00f0 einum dj\u00fapi (The Chasm Deep Within)<\/em> and <em>Sorgin er v\u00f8kur vi\u00f0 (Sorrow is Beautiful Too),<\/em> all of which are strong poems on relevant subjects, which are still relevant today. At Enzo&#8217;s request, Elin translated (or re-wrote with respect) all the poems into English, so that non-Faroese people can listen to this album and understand what is being sung about.<\/p>\n<p>The orchestral parts were recorded in Prague, Czech Republic on June 15th, 2022 with one of Europe&#8217;s best symphony orchestras, The Czech National Symphony Orchestra, led by conductor Vladimir Martinka. Production manager Laura Lungu oversaw the recording. The choir Tarira sang the choral parts and Elin Brimheim Heinesen is the lead vocalist.<\/p>\n<p>The four new pieces of music, in addition to the two that have been published as singles already \u2013 <em>S\u00f3leyan l\u00fdsir um fl\u00f8tur<\/em> and <em>Eitt d\u00fdpi av d\u00fdrari t\u00ed\u00f0<\/em> (this time in an updated mix) \u2013 are now all released together on this album, both in the original Faroese language as well as in English.<\/p>\n<p><em>In The Czech National Symphony Orchestra\u2019s recording studio in Prague:<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-2139\" src=\"http:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Prague_recording_studio-157-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Prague_recording_studio-157-1024x683.jpg 1024w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Prague_recording_studio-157-300x200.jpg 300w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Prague_recording_studio-157-768x512.jpg 768w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Prague_recording_studio-157-1536x1024.jpg 1536w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Prague_recording_studio-157-2048x1366.jpg 2048w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Prague_recording_studio-157-1300x867.jpg 1300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<hr \/>\n<h3>JENS PAULI HEINESEN<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2006 alignleft\" src=\"http:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/JensPauliHeinesen-202x300.jpeg\" alt=\"\" width=\"202\" height=\"300\" srcset=\"https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/JensPauliHeinesen-202x300.jpeg 202w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/JensPauliHeinesen-688x1024.jpeg 688w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/JensPauliHeinesen-768x1143.jpeg 768w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/JensPauliHeinesen-1032x1536.jpeg 1032w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/JensPauliHeinesen-1300x1935.jpeg 1300w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/JensPauliHeinesen.jpeg 1305w\" sizes=\"auto, (max-width: 202px) 100vw, 202px\" \/><em>Jens Pauli Heinesen<\/em> was born on November 12th, 1932 and died on July 19th, 2011, aged 78. He grew up in Sandav\u00e1gur, but moved to T\u00f3rshavn at the early age of 14 years old, where he started as an office apprentice. This was not for him, so he got his parents&#8217; consent to go to school. He first took his preliminary exam and then his matriculation exam in T\u00f3rshavn. He then trained as a teacher at the Emdrupborg State Seminary in Denmark. After completing his teacher&#8217;s exam in 1956, he worked as a teacher until he quit in 1970, and then devoted himself fulltime to his writing career, as he had wanted since he was a small boy.<\/p>\n<p>Jens Pauli was the Faroe Islands&#8217; most prolific writer of his time. He wrote a total of around 40 works \u2013 novels, short stories, plays etc. \u2013 about the life lived, especially in the village where he grew up as a child and in his early teenage years, and not least in the capital, where the author lived most of his life. As a writer he covered a wide range of subjects. The subjects were, among others, the artist and society, the child and its world, rural vs. city life, in addition to the difficult paths of love. A recurring theme is the victim and the tormentor. Literature lovers have said that the quality of several of Jens Pauli&#8217;s works is fully on par with world literature.<\/p>\n<p>Jens Pauli was awarded the Faroese Cultural Prize four times \u2013 in 1959 for the short story collection Hin vakra kvirran (The beautiful silence), in 1969 for the short story collection Aldurnar sp\u00e6la \u00e1 sandi (The waves play on the beach), in 1973 for the novel Fr\u00e6nir eitur ormurin (Fafner is the Dragon\u2019s Name) and in 1993 for the novel Bl\u00e1felli (Blue Mountain) and the book series in seven volumes \u00c1 fer\u00f0 inn \u00ed eina \u00f3endaliga s\u00f8gu (Journey into an endless story). The books Leikur t\u00edn er sum hin lj\u00f3si dagur (Your Play is Like the Bright Day) and Bl\u00e1felli were nominated for the Nordic Culture Prize in 1987 and in 1995 respectively. In addition, Jens Pauli Heinesen received the Faroe Islands Government&#8217;s Cultural Prize in 1999 for his literary works as a whole.<\/p>\n<p>Jens Pauli Heinesen was chairman of the Faroese Writers&#8217; Association in the years 1968-1975 and was named an honorary member of the association, as well as of Der Deutsch-F\u00e4r\u00f6ische Freundeskreis e. V., of the Society of Sweden-Faroe Islands and was also honored by Rith\u00f8fundasamband \u00cdslands. He was a member for many years in the Nordic Society, which i.a. published the book F\u00e6r\u00f8erne i dag (Faroes today) in 1966, which he edited. And he was one of the producers of the documentary Jamen se nu F\u00e6r\u00f8erne (But Look at the Faroes), with the subtitle: We are not building the Faroes for practical reasons, in 1975. Jens Pauli Heinesen has been translated into several languages, such as Icelandic, Swedish, Norwegian, Danish, Greenlandic and German.<\/p>\n<p>Get more info here:<br \/>\n<a href=\"https:\/\/www.facebook.com\/JensPauliHeinesen\">https:\/\/www.facebook.com\/JensPauliHeinesen<\/a><\/p>\n<hr \/>\n<h3>ELIN BRIMHEIM HEINESEN<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2009 alignleft\" src=\"http:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/ElinBrimheimHeinesen-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/ElinBrimheimHeinesen-225x300.jpg 225w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/ElinBrimheimHeinesen-768x1024.jpg 768w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/ElinBrimheimHeinesen-1152x1536.jpg 1152w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/ElinBrimheimHeinesen-1536x2048.jpg 1536w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/ElinBrimheimHeinesen-1300x1733.jpg 1300w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/ElinBrimheimHeinesen-scaled.jpg 1920w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><em>Elin Brimheim Heinesen<\/em>, born June 25th, 1958, is Jens Pauli Heinesen\u2019s daughter. Elin has composed the six songs on this album to poems by her father and translated (or rewritten) the songs to English. She is also the lead vocalist on this album.<\/p>\n<p>Elin has a Master&#8217;s Degree in Aesthetics and Culture and an education in Business Economics, as well as a Sceenwriting Degree from the Danish Film School. She has a long career in communication, media and marketing in the Faroe Islands and in Denmark, where she lived for 25 years.<\/p>\n<p>In her home country, she is best known as a singer\/ composer. In addition to a few singles, she has released three albums: NALJA with K\u00e1ri L. Jacobsen in 1988, Yndisl\u00f8g \u2013 ein fer\u00f0 aftur \u00ed farnar t\u00ed\u00f0ir (Treasured Songs \u2013 A Trip Down Memory Lane), with the acoustic group Ad Libitum in 2010, and Handan Stj\u00f8rnurnar (Beyond the Stars) as a soloist in 2018. Furthermore, she has sung duets and backing choir on several albums and singles by other artists.<\/p>\n<p>One of her most beloved songs is the title song of this album Eitt d\u00fdpi av d\u00fdrari t\u00ed\u00f0 (A Chasm of Precious Time). When Kringvarp F\u00f8roya (Faroese National TV &amp; Radio) in 2018 asked its listeners to rate the best Faroese songs the last 50 years, this song came in as nr. 4. It was released the first time in 1988 and rearranged for symphony orchestra in 2002 for a documentary about Jens Pauli Heinesen, but this version has not been released on an album by Elin before. Not until now. This time in an updated mix.<\/p>\n<p>Get more info here:<br \/>\n<a href=\"http:\/\/heinesen.fo\">http:\/\/heinesen.fo <\/a><br \/>\n<a href=\"http:\/\/heinesen.info\">http:\/\/heinesen.info<\/a><\/p>\n<hr \/>\n<h4>ENZO DE ROSA<\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2012 alignleft\" src=\"http:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/EnzoDeRosa-209x300.png\" alt=\"\" width=\"209\" height=\"300\" srcset=\"https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/EnzoDeRosa-209x300.png 209w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/EnzoDeRosa-712x1024.png 712w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/EnzoDeRosa-768x1105.png 768w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/EnzoDeRosa-1068x1536.png 1068w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/EnzoDeRosa-1424x2048.png 1424w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/EnzoDeRosa-1300x1870.png 1300w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/EnzoDeRosa.png 1849w\" sizes=\"auto, (max-width: 209px) 100vw, 209px\" \/><em>Enzo De Rosa<\/em>, born January 21st, 1964, is a composer, arranger and virtuoso concert pianist from Naples, Italy, now residing in Montreal, Canada. He has arranged Elin Brimheim Heinesen\u2019s compositions on this album to symphony orchestra and choir.<\/p>\n<p>Enzo has more than 30 years of experience with many different genres of music. He started taking piano lessons at the age of 6. Since then, he has developed his musical skills with several well-known piano masters. He is trained in composition and modern music, in addition to playing the organ and harpsichord. He has a long and impressive career as a professional musician in many different countries \u2013 such as Italy, France, Finland, Bulgaria, Egypt, Israel, Canada among others \u2013 where he has worked with over 600 great music projects \u2013 composed, arranged for orchestra and produced music both for film, TV, theatre, opera, music albums, etc.<\/p>\n<p>Get more info here:<br \/>\n<a href=\"http:\/\/www.enzoderosa.com\">http:\/\/www.enzoderosa.com<\/a><br \/>\n<a href=\"https:\/\/enzoderosa.bandcamp.com\/music\">https:\/\/enzoderosa.bandcamp.com\/music<\/a><br \/>\n<a href=\"https:\/\/www.imdb.com\/name\/nm4607290\/\">https:\/\/www.imdb.com\/name\/nm4607290\/<\/a><\/p>\n<p><em>\u201cI found about 40 music arrangers before I found Enzo, but when I finally stumbled upon him and listened to samples of what he had done before, there was no doubt in my mind that he was the right partner for this particular project. I feel very grateful and lucky to be able to work with such an excellent and skilled man in his field.\u201d<\/em><br \/>\n\u2013 Elin Brimheim Heinesen<\/p>\n<hr \/>\n<h4>LAURA LUNGU<\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2039 alignleft\" src=\"http:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/LauraLungu-242x300.jpg\" alt=\"\" width=\"242\" height=\"300\" srcset=\"https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/LauraLungu-242x300.jpg 242w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/LauraLungu.jpg 525w\" sizes=\"auto, (max-width: 242px) 100vw, 242px\" \/><em>Laura Lungu<\/em>, executive producer of this project, has studied music since childhood, graduating in music with violin specialisation. She graduated with honours in Musicology and Performing Arts at Bologna University, followed by a Master\u2019s degree in Musical Theatre Direction.<\/p>\n<p>She succeeded in developing both an international career as a violinist and at the same time as manager in the entertainment industry, working with artists such as Luciano Pavarotti, Jos\u00e9 Carreras, Ennio Morricone, Andrea Bocelli and many others. She recorded to date more than 300 movie soundtracks as violinist, music producer, recording musical supervisor and orchestra contractor for SONY, EMI, WARNER, BMG, Buena Vista, RAI, MEDIASET, etc.<\/p>\n<p>Laura has extensive experience \u2013 among other things she has taken the lead role positions of Music Producer, Artistic Director, Recording producer, Artists Manager as well as Production Director for shows, concerts, music recordings, festivals, corporate and private events with high visibility in Italy and abroad.<\/p>\n<p>She is the founder and General Manager of Concertissimo Entertainment since 1998, and the founder and Artistic Director of the Concertissimo Orchestra, established since 2007 in Rome, specialised in movie soundtracks recording with orchestra and choirs.<\/p>\n<p>Read more at:\u00a0<a href=\"https:\/\/concertissimo.eu\/laura-lungu\/\" target=\"_blank\" rel=\"noopener\">https:\/\/concertissimo.eu\/laura-lungu\/<\/a><br \/>\nand here:\u00a0<a href=\"https:\/\/www.imdb.com\/name\/nm6190088\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.imdb.com\/name\/nm6190088\/<\/a><\/p>\n<hr \/>\n<h4>TARIRA<\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2015 alignleft\" src=\"http:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Korid-Tarira-300x225.jpeg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Korid-Tarira-300x225.jpeg 300w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Korid-Tarira-1024x768.jpeg 1024w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Korid-Tarira-768x576.jpeg 768w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Korid-Tarira-1536x1152.jpeg 1536w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Korid-Tarira-1300x975.jpeg 1300w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/Korid-Tarira.jpeg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>The choir <em>Tarira<\/em> is an outstanding choir, which since 2002 has pleased audiences with their high quality singing on an international\u00a0 level. Their name &#8216;Tarira&#8217; is inspired by the author William Heinesen and comes from his novel &#8220;The Lost Musicians&#8221;, where Tarira is presented as a dream vision.<\/p>\n<p>The choir sings renaissance music works, Christmas music and new compositions, they have commissioned from both Faroese composers and composers from abroad, which is why they have premiered several new songs, in addition to publishing albums.<\/p>\n<p>The choir has had several conductors since the beginning. They started out with Sunleif Rasmussen, but also Ka\u0301ri B\u00e6k and Jo\u0301hannes Andreassen have conducted the choir. On this album, Bernhar\u00f0ur Wilkinson is the conductor.<\/p>\n<p>Tarira has had performances with music artists such as Teitur and To\u0301rshavn&#8217;s Men&#8217;s Choir. They have presented great choir works such as Shakespeare and others. The response is alway the same: Their performances are flawless and on an outstanding high level, resulting in the choir receiving several awards for their performances and achievements.<\/p>\n<p>The choir Tarira is singing on four of six tracks on Elin&#8217;s album &#8211; songs, that she has composed to her father Jens Pauli Heinesen&#8217;s poems: <em>Flo\u0301ttin \/ The Refugee<\/em>, <em>Eg gangi vi\u00f0 einum dju\u0301pi \/ The Chasm Within<\/em>, <em>Heystna\u0301ttin \/ Autumn Night<\/em> og <em>Sorgin er v\u00f8kur vi\u00f0 \/ Sorrow is Beautiful Too<\/em>.<\/p>\n<p>More info here:<br \/>\n<a href=\"https:\/\/www.facebook.com\/profile.php?id=10006 4045087912\" target=\"_blank\" rel=\"noopener\">https:\/\/www.facebook.com\/profile.php?id=10006 4045087912<\/a><\/p>\n<hr \/>\n<h4>T\u00d3RSHAVN&#8217;S MEN&#8217;S CHOIR<\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2018 alignleft\" src=\"http:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/TorshavnarManskor-300x195.jpg\" alt=\"\" width=\"300\" height=\"195\" srcset=\"https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/TorshavnarManskor-300x195.jpg 300w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/TorshavnarManskor-768x500.jpg 768w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/TorshavnarManskor.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><em>To\u0301rshavnar Mansko\u0301r<\/em> was founded, when the choir had their first performance together with the brass band GHM in the Nordic House in T\u00f3rshavn March 22, 1987. The choir has been on several tours outside the Faroes &#8211; such as in Iceland; Denmark; Wales; Scotland; Shetland; the Baltic countries &#8211; Estonia, Latvia and Lithuania; Austria and Russia.<\/p>\n<p>To\u0301rshavnar Mansko\u0301r published their first album in 1997, with the simple title: To\u0301rshavnar Mansko\u0301r.<\/p>\n<p>Their second album was released in 1999, and had the title &#8220;Vit eru F\u00f8royingar&#8221; (We Are Faroese), taken from the first line in the ironic lyrics to the folk ballad &#8220;Kv\u00e6\u00f0i fremsta framtakskappa landsins&#8221; (The Country&#8217;s Prime Entrepeneurial Hero) with lyrics by Regin Dahl and music by Ka\u0301ri B\u00e6k, about being a cultured Faroese person.<\/p>\n<p>Their thrird ablum came out in 2008 and had the title &#8220;V\u00e6l ma\u0301 gagnast!&#8221; (Bon Appetite!) taken from the last line in the humorous song &#8220;Matlepin&#8221; (The Menu) by Nyholm Debes. This is the first CD in the Faroes with surround sound, where the listener is surrounded by sound just like in a good concert hall.<\/p>\n<p>The fourth album was published in 2009 and has the title &#8220;Kantata til 900 a\u0301ra o\u0301lavs\u00f8kuha\u0301ti\u0301\u00f0ina&#8221; (Cantata for the Sct. Olav&#8217;s Wake 900 Years Jubilee) ususally called O\u0301lavs\u00f8kukantatan, which Edward Mitens og J. Waagstein composed to the Sct. Olav&#8217;s Wake jubilee in 1930, in mmemory of King Olav Haraldsson, who died in 1030.<\/p>\n<p>To\u0301rshavnar Mansko\u0301r has participated on two singles released by Elin Brimheim Heinesen with lyrics by her father Jens Pauli Heinesen. The songs are &#8220;Eitt dy\u0301pi av dy\u0301rari ti\u0301\u00f0&#8221; (A Chasm of Precious Time&#8221; in 2002 og &#8220;So\u0301leyan ly\u0301sir um fl\u00f8tur&#8221; (Buttercups Light Up The Meadows) in 2021, which now are also on this album.<\/p>\n<p>More info here:<a href=\"http:\/\/manskor.fo\/\" target=\"_blank\" rel=\"noopener\"> http:\/\/manskor.fo\/<\/a><\/p>\n<hr \/>\n<h4>THE CZECH NATIONAL SYMPHONY ORCHESTRA<\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2042 alignleft\" src=\"http:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/CNSO-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/CNSO-300x169.jpg 300w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/CNSO.jpg 757w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Performing and continuously growing for 26 years, the <em>Czech National Symphony Orchestra (CNSO)<\/em> has earned an enviable reputation among Europe\u2019s top symphonic ensembles. Renowned for its versatility, the orchestra annually presents a broad programme ranging from classical music concerts to contemporary genres, film scores, jazz and musicals. Since 2005 the Czech National Symphony Orchestra has also organised the summer Prague Proms Festival, which with its impressive array of prominent international performers, appeals to a diverse audience year in year out.<\/p>\n<p>Composers, conductors, and performers such as Ennio Morricone, Lalo Schifrin, James Morrison, Branford &amp; Wynton Marsalis, Pino Donnagio, Giuliano Taviani, Jos\u00e9 Carreras, Danny Elfman, Vince Mendoza, Giuseppe Tornatore, Carl Davis, Steven Mercurio, Marcello Rota, Christian Lindberg, Chick Corea, Vladimir Cosma repeatedly come back to Prague to either record with the orchestra or perform in the beautiful Smetana Hall at Prague\u2019s Municipal House, the home concert stage of the orchestra.<\/p>\n<p>The CNSO has also renewed its longstanding cooperation with Andrea Bocelli, plus accompanied Rolando Villazon and Jonas Kaufmann. The orchestra has collaborated with some of the most prominent pop artists, such as Sting, George Michael, Natalie Cole, Dianne Reeves, Ang\u00e9lique Kidjo, Denise Donatelli, Ute Lemper, and great instrumentalists, such as James Morrison, Branford &amp; Wynton Marsalis, Bobby Shew, Joe Lovano, John Abercrombie, John Patitucci, Dave Weckl, Chick Corea and many more.<\/p>\n<p>The Czech National Symphony Orchestra was set up in 1993 by trumpet player Jan Hasen\u00f6hrl along with the legendary conductor Zden?k Ko\u0161ler. In 1996, the American Paul Freeman took over as Chief Conductor, and remained in this position for an amazing ten years.<\/p>\n<p>Now the orchestra has worked with its principal conductor Libor Pe\u0161ek since 2007 \u2013 a period which could be described as exceptional both in terms of its subscription series as well as five hugely successful tours around Great Britain, as well as the historic feat of the recording marathon between 2007 and 2017 during which time Libor Pe\u0161ek and the CNSO managed to record the complete symphonies of Gustav Mahler.<\/p>\n<p>Libor Pe\u0161ek stepped down from his role in the spring of 2019 and was replaced by the American conductor Steven Mercurio. This fantastic musician and former pupil of Leonard Bernstein has worked with the orchestra for several years now and the partnership promises to bring about a number of exceptional new projects.<\/p>\n<p>Read more about The Czech National Symphony Orchestra here:\u00a0<a href=\"https:\/\/www.cnso.cz\/en\">https:\/\/www.cnso.cz\/en<\/a><\/p>\n<hr \/>\n<h4>THE CITY OF PRAGUE PHILHARMONIC ORCHESTRA<\/h4>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2164 alignleft\" src=\"http:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/COPPO-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/COPPO-300x200.jpg 300w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/COPPO.jpg 560w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/em><em>The City of Prague Philharmonic Orchestra<\/em> is a world-renown professional symphony orchestra, founded over 60 years ago. The orchestra features predominantly Czech classical and jazz musicians\u2026with guest players selected from musicians studying at the Conservatoire in Prague. The orchestra started out, just after the end of World War II, as the in-house orchestra for the huge Barrandov Film Studios, regularly playing music for film and animation productions made at the world famous Prague studios, as well as featuring in the historic Kr\u00e1tk\u00fd Film productions (meaning \u201cshort film,\u201d in Czech), and productions for the former Czechoslovak Television.<\/p>\n<p>At that time the orchestra was known as Filmov\u00fd Symfonick\u00fd Orchestr (FISYO) (The Film Symphony Orchestra). Many wonderful national and international film scores were recorded by this orchestra up until 1989, mostly at Sme\u010dky Sound Recording Studio.<\/p>\n<p>Fully privatized after the Velvet Revolution, the orchestra was given its new name by music producer James Fitzpatrick in 1992 , so that today The City of Prague Philharmonic Orchestra, under the management of Josef Pokluda , selects the finest musicians from all of the main Czech orchestras, who continue to play and record music together (usually every day of the week) for every type of orchestral project including CD albums, major international films, television series, video games, and even ringtones \u2013 both for the Czech Republic market but chiefly for clients &amp; media productions all around the world.<\/p>\n<p>After the acclaim of their various recordings the orchestra have undertaken numerous European concerts of film and TV music, Planet Earth music and Video Games Live, as well as standard classical repertoire. They also frequently play concerts in Prague and also have travelled to China, the Lebanon, various other Middle Eastern countries and the highlight being their 2010 concerts in Santiago, Chile with conductor Nic Raine and guest artist Itzhak Perlman.<\/p>\n<p>Read more about the City of Prague Philharmonic Orchestra here: <a href=\"https:\/\/www.cityofpraguephilharmonicorchestra.co.uk\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.cityofpraguephilharmonicorchestra.co.uk\/<\/a><\/p>\n<hr \/>\n<h4>F\u00d8ROYA SYMFONIORKESTUR<\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2045 alignleft\" src=\"http:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/FSO-300x203.jpg\" alt=\"\" width=\"300\" height=\"203\" srcset=\"https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/FSO-300x203.jpg 300w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/FSO-768x521.jpg 768w, https:\/\/heinesen.fo\/wp-content\/uploads\/2023\/09\/FSO.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><em>The Faroe Islands Symphony Orchestra<\/em> is not featured on the album, but they are mentioned here, because they were a big part of the phenomenal performance of all the six songs on the album at the honor concert for the author, Jens Pauli Heinesen, that took place in the Nordic House in T\u00f3rshavn on his 90th birthday, November 12th, 2022, under conduction of Bernhar\u00f0ur Wilkinson, with the choirs Tarira and T\u00f3rshavnar Mansk\u00f3r, Enzo De Rosa on the grand Piano and Elin as the lead vocalist.<\/p>\n<p>Kringvarp F\u00f8roya, the National TV &amp; Radio recorded the whole event on video. And at easter in the spring of 2023, Kringvarp F\u00f8roya, the Public National TV, broadcasted the honor concert for Jens Pauli Heinesen \u2013 in two parts on April 6th and April 7th, 2023.<\/p>\n<ul>\n<li>Watch\u00a0<a href=\"https:\/\/kvf.fo\/sending\/fagnadarkonsert-jens-pauli-heinesen?sid=155226\" target=\"_blank\" rel=\"noopener\">PART ONE.<\/a><\/li>\n<li>Watch\u00a0<a href=\"https:\/\/kvf.fo\/sending\/fagnadarkonsert-jens-pauli-heinesen?sid=155225\" target=\"_blank\" rel=\"noopener\">PART TWO<\/a>.<\/li>\n<\/ul>\n<p>The Faroe Islands Symphony Orchestra was founded in 1983. A music school was established on probation the year before with some trained musicians, and in 1983 the F\u00f8roya Musikksk\u00fali (Faroe Islands Music School) was finally established with about 10 music teachers. This, as well as the new beautiful Nordic House, which opened in June the same year, meant that now suddenly there were both professional musicians and a good setting, which made it possible to run a symphony orchestra.<\/p>\n<p>It was the music teachers Magna Synnev\u00e5g and Kanny Sambleben who, together with Alex S\u00f3lstein, Bogi L\u00fctzen and others, established the new orchestra, which was named F\u00f8roya Symfoniorkestur. Faroese and foreign educated musicians in the Faroes together with the best students in the music school, as well as some professional musicians from abroad were to man the new orchestra. This is the form that has been used all the years since. The good development these years, however, has been that the skills and the number of Faroese musicians has grown steadily.<\/p>\n<p>For the past 20 years, the orchestra has made great strides. The activities have grown considerably from about two annual concerts to about 25 concerts in 2014 e.g. The progress has been purposeful. This is i.a. a result of increased funding and the following increased activity, together with the good work the music schools do, where of several of the professional musicians in the orchestra act as teachers. Some have also been in the music school since childhood and in the symphony orchestra before going abroad to take higher music education.<\/p>\n<p>The orchestra&#8217;s staff is usually around 70 musicians and is conducted by Bernhardur Wilkinson. In addition, there is also a choir with about 120 good singers, who have all been through auditions, as well as a children&#8217;s choir of about 200 children. The Faroese Singing Teachers&#8217; Association is responsible for the large children&#8217;s choir arranging the Children and Christmas Concert, which the Faroese Symphony Orchestra has played the first weekend in December for the past many years.<\/p>\n<p>The orchestra has been on three trips abroad in the last 30 years. In Shetland, Denmark and in connection with the celebration of the orchestra&#8217;s 30th anniversary, the symphony orchestra had a concert in Akureyri and in the world-famous Harpa in Reykjav\u00edk in Iceland in the autumn of 2013.<\/p>\n<p>Read more about the Faroe Islands Symphony Orchestra here:\u00a0<a href=\"https:\/\/www.symfoniorkestur.com\/\">https:\/\/www.symfoniorkestur.com\/<\/a><\/p>\n<hr \/>\n<h3>TRACKS ON THE ALBUM<\/h3>\n<h4>In Faroese:<\/h4>\n<p>1. Sorgin er v\u00f8kur vi\u00f0 <em>(Elin Brimheim Heinesen\/Jens Pauli Heinesen)<\/em><span style=\"color: #800000;\"> &#8211; Third single out Oct. 6th 2023<\/span><br \/>\n2. Fl\u00f3ttin <em>(Elin Brimheim Heinesen\/Jens Pauli Heinesen) <\/em><span style=\"color: #800000;\">&#8211; Second single out Sep. 15th 2023<\/span><br \/>\n3. Heystn\u00e1ttin <em>(Elin Brimheim Heinesen\/Jens Pauli Heinesen)<\/em><br \/>\n4. Eg gangi vi\u00f0 einum dj\u00fapi <em>(Elin Brimheim Heinesen\/Jens Pauli Heinesen)<\/em><br \/>\n5. S\u00f3leyan l\u00fdsir um fl\u00f8tur <em>(Elin Brimheim Heinesen\/Jens Pauli Heinesen) <\/em><span style=\"color: #800000;\">&#8211; First single out Nov. 12th 2021<\/span><br \/>\n6. Eitt d\u00fdpi av d\u00fdrari t\u00ed\u00f0 <em>(Elin Brimheim Heinesen\/Jens Pauli Heinesen)<\/em><\/p>\n<h4>In English:<\/h4>\n<p>7. Sorrow Is Beautiful Too <em>(Elin Brimheim Heinesen\/Jens Pauli Heinesen) <\/em><span style=\"color: #800000;\">&#8211; Third single out Oct. 6th 2023<\/span><br \/>\n8. The Refugee <em>(Elin Brimheim Heinesen\/Jens Pauli Heinesen) <\/em><span style=\"color: #800000;\">&#8211; Second single out Sep. 15th 2023<\/span><br \/>\n9. Autumn Night <em>(Elin Brimheim Heinesen\/Jens Pauli Heinesen)<\/em><br \/>\n10. The Chasm Deep Within <em>(Elin Brimheim Heinesen\/Jens Pauli Heinesen)<\/em><br \/>\n11. Buttercups Light Up the Meadows <em>(Elin Brimheim Heinesen\/Jens Pauli Heinesen) <\/em><span style=\"color: #800000;\">&#8211; First single out Nov. 12th 2021<\/span><br \/>\n12. A Chasm of Precious Time <em>(Elin Brimheim Heinesen\/Jens Pauli Heinesen)<\/em><\/p>\n<hr \/>\n<h3>TRACKS<\/h3>\n<h4>1. SORGIN ER V\u00d8KUR VI\u00d0 \/<br \/>\n7. SORROW IS BEAUTIFUL TOO<\/h4>\n<blockquote><p>&#8220;At first glance it might be difficult to interpret what this poem is about actually. It is, in fact, about unrequited love that is not reciprocated, envisioned in an image of how waves play around skerries by a rocky shore for hundreds, thousands, even millions of years, but are never really united with the skerries. However, the message in the poem is that love is always worth it, even if it is unrequited love, because sorrow can also be very beautiful.&#8221;<br \/>\n&#8211; Elin Brimheim Heinesen<\/p><\/blockquote>\n<h5>Music &amp; Lyrics Creation:<\/h5>\n<p><strong>Composer:<\/strong> Elin Brimheim Heinesen (2020)<br \/>\n<strong>Lyrics:<\/strong> Jens Pauli Heinesen (1970)<br \/>\n<strong>Lyrics Rewritten In English:<\/strong> Elin Brimheim Heinesen (2020)<br \/>\n<strong>Orchestration For Orchestra And Choir:<\/strong> Enzo De Rosa<\/p>\n<h5>Orchestra Recordings:<\/h5>\n<p><strong>Orchestra:<\/strong> \u010cnso &#8211; Czech National Symphony Orchestra<br \/>\n<strong>Orchestra Conductor:<\/strong> Vladimir Martinka<br \/>\n<strong>Recording Exec. Producer &amp; Supervisor:<\/strong> Laura Lungu<br \/>\n<strong>Sound Engineer:<\/strong> Stanislav Baroch<br \/>\n<strong>Protools Assistant:<\/strong> Martin Maslowski<br \/>\n<strong>Recording Studio:<\/strong> \u010cnso Studios, Prague, Czech Republic<\/p>\n<h5>Vocal &amp; Choir Recordings:<\/h5>\n<p><strong>Lead Vocal:<\/strong> Elin Brimheim Heinesen<br \/>\n<strong>Lead Vocal Sound Engineer:<\/strong> B\u00e1r\u00f0ur H\u00e1berg<br \/>\n<strong>Lead Vocal Recording Studio:<\/strong> Private Studio, T\u00f3rshavn, Faroe Islands<br \/>\n<strong>Choir:<\/strong> K\u00f3ri\u00f0 Tarira (20 M\/K Choir)<br \/>\n<strong>Choir Conductor:<\/strong> Bernhar\u00f0ur Wilkinson<br \/>\n<strong>Choir Sound Engineer:<\/strong> Kristoffer M\u00f8rk\u00f8re<br \/>\n<strong>Choirs Recording Studio:<\/strong> H\u00e1t\u00fan, T\u00f3rshavn, Faroe Islands<\/p>\n<h5>Mixing &amp; Mastering:<\/h5>\n<p><strong>Mixing Of Orchestra And Choir:<\/strong> Ben Ewing<br \/>\n<strong>Mixing Of Lead Vocal:<\/strong> Ben Ewing \/ B\u00e1r\u00f0ur H\u00e1berg<br \/>\n<strong>Mastering:<\/strong> Camilo De Silva F Mastering<\/p>\n<hr \/>\n<p><em>The song in Faroese:<\/em><br \/>\n<em>Listen here:<\/em><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/odesli.co\/embed\/?url=https%3A%2F%2Fsong.link%2Fsorgin&amp;theme=light\" width=\"100%\" height=\"52\" frameborder=\"0\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4>SORGIN ER V\u00d8KUR VI\u00d0<\/h4>\n<p>Dandar so bl\u00ed\u00f0an b\u00e1ra<br \/>\n\u00e1 kv\u00f8ldi um naki\u00f0 sker<br \/>\nOngant\u00ed\u00f0 hevur hon nomi\u00f0<br \/>\nk\u00e6rleikans alduger\u00f0<br \/>\nSu\u00f0ar so bl\u00ed\u00f0an loti\u00f0<br \/>\nk\u00e1tt er lagi\u00f0, men kalt<br \/>\nOngant\u00ed\u00f0 hevur ta\u00f0 nomi\u00f0<br \/>\nnomi\u00f0 vi\u00f0 ta\u00f0, i\u00f0 er alt<\/p>\n<p>Hugsj\u00fak t\u00ed bl\u00ed\u00f0a b\u00e1ran<br \/>\nfevnir um naki\u00f0 sker<br \/>\nTaki\u00f0 meg, k\u00f8ldu steinar<br \/>\nyndi\u00f0 meg einafer\u00f0<br \/>\nTr\u00e1sj\u00fakt t\u00ed mj\u00faka loti\u00f0<br \/>\nsm\u00fdgur um naki\u00f0 basalt<br \/>\nTaki\u00f0 meg, k\u00f8ldu klettar<br \/>\nl\u00edvga meg t\u00fa, i\u00f0 er alt<\/p>\n<p>&#8230;..<\/p>\n<p>Skuldi ta\u00f0 hent seg, at lagnan<br \/>\nikki vil unna m\u00e6r fri\u00f0<br \/>\n:||: Sp\u00e6l so, fi\u00f3l og urga,<br \/>\nt\u00ed sorgin er v\u00f8kur vi\u00f0 :||:<\/p>\n<hr \/>\n<p><em>Same song in English:<\/em><br \/>\n<em>Listen here:<\/em><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/odesli.co\/embed\/?url=https%3A%2F%2Fsong.link%2FSorrow-Is-Beautiful-Too&amp;theme=light\" width=\"100%\" height=\"52\" frameborder=\"0\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4>SORROW IS BEAUTIFUL TOO<\/h4>\n<p>At dusk a wave gently seesaws<br \/>\non a naked skerry in dance<br \/>\nNot once has it ever fondled<br \/>\nthe waltzing waves of romance<br \/>\nA flurry of air whispers gently<br \/>\na cheerful refrain, but cold<br \/>\nNot once has it ever cuddled<br \/>\ncuddled that trait which is all<\/p>\n<p>That\u2019s why this gentle sea wave<br \/>\nembraces the skerry in pain<br \/>\nTake me, cold stones, take me<br \/>\nlove me, please, just one time<br \/>\nThat\u2019s why the breeze so fondly<br \/>\ncaresses the naked basalt<br \/>\nTake me, cold rocks, take me<br \/>\nand comfort me, you, who are all<\/p>\n<p>&#8230;&#8230;&#8230;&#8230;..<\/p>\n<p>If destiny happens to hinder<br \/>\na peaceful mind, through and through<br \/>\n:||: Then play for me, violin, and organ<br \/>\n\u2018cause sorrow is beautiful too :||:<\/p>\n<div class=\"layoutArea\">\n<hr \/>\n<h4><span style=\"font-size: 1.25em;\">2. FL\u00d3TTIN \/<br \/>\n8. THE REFUGEE<\/span><\/h4>\n<\/div>\n<blockquote><p>&#8220;The lyrics to this song are originally from a theatre play my father wrote, that was set on stage in the\u00a0 beginning of the 70&#8217;s. The lyrics were originally written to another melody &#8211; a Swedish melody called &#8220;En valsmelodi&#8221;. But I liked the poem so much and thought it deserved its own original melody. It&#8217;s about a world in shambles and about having to flee from all the things and the people one cares about, and not least about facing an uncertain future. The poem has gained renewed relevance. It can, for instance, be seen in the light of the current situation with refugees fleeing from devastating wars in their country or from natural disasters caused by climate change or other causes.&#8221;<br \/>\n&#8211; Elin Brimheim Heinesen<\/p><\/blockquote>\n<h5>Music &amp; Lyrics Creation:<\/h5>\n<p><strong>Composer:<\/strong> Elin Brimheim Heinesen (2020)<br \/>\n<strong>Lyrics:<\/strong> Jens Pauli Heinesen (1971)<br \/>\n<strong>Lyrics Rewritten In English:<\/strong> Elin Brimheim Heinesen (2020)<br \/>\n<strong>Orchestration For Orchestra And Choir:<\/strong> Enzo De Rosa<\/p>\n<h5>Orchestra Recordings:<\/h5>\n<p><strong>Orchestra:<\/strong> \u010cnso &#8211; Czech National Symphony Orchestra<br \/>\n<strong>Orchestra Conductor:<\/strong> Vladimir Martinka<br \/>\n<strong>Recording Exec. Producer &amp; Supervisor:<\/strong> Laura Lungu<br \/>\n<strong>Sound Engineer:<\/strong> Stanislav Baroch<br \/>\n<strong>Protools Assistant:<\/strong> Martin Maslowski<br \/>\n<strong>Recording Studio:<\/strong> \u010cnso Studios, Prague, Czech Republic<\/p>\n<h5>Vocal &amp; Choir Recordings:<\/h5>\n<p><strong>Lead Vocal:<\/strong> Elin Brimheim Heinesen<br \/>\n<strong>Lead Vocal Sound Engineer:<\/strong> B\u00e1r\u00f0ur H\u00e1berg<br \/>\n<strong>Lead Vocal Recording Studio:<\/strong> Private Studio, T\u00f3rshavn, Faroe Islands<br \/>\n<strong>Choir:<\/strong> K\u00f3ri\u00f0 Tarira (20 M\/K Choir)<br \/>\n<strong>Choir Conductor:<\/strong> Bernhar\u00f0ur Wilkinson<br \/>\n<strong>Choir Sound Engineer:<\/strong> Kristoffer M\u00f8rk\u00f8re<br \/>\n<strong>Choirs Recording Studio:<\/strong> H\u00e1t\u00fan, T\u00f3rshavn, Faroe Islands<\/p>\n<h5>Mixing &amp; Mastering:<\/h5>\n<p><strong>Mixing Of Orchestra And Choir:<\/strong> Ben Ewing<br \/>\n<strong>Mixing Of Lead Vocal:<\/strong> Ben Ewing \/ B\u00e1r\u00f0ur H\u00e1berg<br \/>\n<strong>Mastering:<\/strong> Camilo De Silva F Mastering<\/p>\n<hr \/>\n<p><em>The song in Faroese:<br \/>\n<\/em><em>Listen here:<\/em><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/odesli.co\/embed\/?url=https%3A%2F%2Fsong.link%2Fflottin&amp;theme=light\" width=\"100%\" height=\"52\" frameborder=\"0\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4>FL\u00d3TTIN<\/h4>\n<p>L\u00e6ttur \u00ed lund<br \/>\nsp\u00e6ldi um stund<br \/>\ns\u00f3l gylti sk\u00f3gir og tindar<br \/>\nSangur og v\u00edn<br \/>\nunnustan m\u00edn<br \/>\nYmiskir bl\u00e6sa teir vindar<br \/>\nDey\u00f0in f\u00f3r herjandi buldur og gn\u00fd<br \/>\nSmildra\u00f0i heimin, sum vit livdu \u00ed<br \/>\n\u00c1, t\u00fa t\u00fdnandi makt millum manna<br \/>\nhvar finni eg l\u00edvd fyri t\u00e6r<br \/>\nSkal eg eldast og ongant\u00ed\u00f0 sanna<br \/>\nat her var r\u00fam fyri m\u00e6r<br \/>\nBurt \u00ed fjarl\u00f8gdum londum fr\u00e1 vinum og heimi<br \/>\neg siti \u00ed skugga hj\u00e1 sl\u00f3knandi eimi<br \/>\nSkal eg eldast og ongant\u00ed\u00f0 sanna<br \/>\nat her var r\u00fam fyri m\u00e6r<\/p>\n<p>Silvur og gull<br \/>\nh\u00fasini full<br \/>\nmen hvar er m\u00edn lukka, m\u00edn gle\u00f0i<br \/>\n\u00cd einb\u00fdli her<br \/>\n\u00f8skukalt er<br \/>\nDagurin dettur av degi<br \/>\nGeislar av eitri, hv\u00f8rt sprek og hv\u00f8rt str\u00e1<br \/>\nTa\u00f0 l\u00farir eitt eyga \u00ed hv\u00f8rjari vr\u00e1<br \/>\nHygg tey styggja meg burtur vi\u00f0 gandi<br \/>\nTey unna m\u00e6r als ongan fri\u00f0<br \/>\nEg m\u00e1 r\u00fdma fr\u00e1 h\u00fasi og landi<br \/>\nt\u00f3 at sorgin hon fylgir m\u00e6r vi\u00f0<br \/>\nOg t\u00ed sigli eg b\u00e1t m\u00edn m\u00f3t \u00f3kendum londum<br \/>\nog haldi um st\u00fdri\u00f0 vi\u00f0 skelvandi hondum<br \/>\n:||: Eg m\u00e1 r\u00fdma fr\u00e1 h\u00fasi og landi<br \/>\nt\u00f3 at sorgin hon fylgir m\u00e6r vi\u00f0 :||:<\/p>\n<hr \/>\n<p><em>Same song in English:<br \/>\nListen here:<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/odesli.co\/embed\/?url=https%3A%2F%2Fsong.link%2FThe-Refugee&amp;theme=light\" width=\"100%\" height=\"52\" frameborder=\"0\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/em><\/p>\n<h4>THE REFUGEE<\/h4>\n<p>Careless a while<br \/>\nall fun and smiles<br \/>\nat hillsides in sunny reflections<br \/>\nSinging and wine<br \/>\ndarling of mine<br \/>\nWinds blow in different directions<br \/>\nThe reaper went ravaging, rumbled, and rolled<br \/>\nshattered the planet on which we live all<br \/>\nOh, calamitous force among humans<br \/>\nwhere will I find shelter from you?<br \/>\nShould I grow old and never be certain<br \/>\nthat I have a place to roam to<br \/>\nIn a foreign land far from my friends and my home<br \/>\nI&#8217;m sitting in shade by the embers alone<br \/>\nShould I grow old and never be certain<br \/>\nthat I have a place to roam to?<\/p>\n<p>Silver and gold<br \/>\nthe house chockfull<br \/>\nBut where is my luck and my pleasure<br \/>\nIn solitude here<br \/>\nfreezing in fear<br \/>\nDay follows day without leisure<br \/>\nRays of poison in every crack<br \/>\nAn eye is out lurking, I\u2019m under attack<br \/>\nThey scare me away with their sorcery<br \/>\nThey give me no space to breathe<br \/>\nI must flee from my home and my country<br \/>\nthough grieving accompanies me<br \/>\nAnd that&#8217;s why I\u2019m sailing to faraway lands<br \/>\nand holding my wheel with trembling hands<br \/>\n:||: I must flee from my home and my country<br \/>\nthough grieving accompanies me :||:<\/p>\n<hr \/>\n<h4>3. HEYSTN\u00c1TTIN \/<br \/>\n9. AUTUMN NIGHT<\/h4>\n<blockquote><p>&#8220;I composed this song and made a choir arrangement back in 2012, especially to an event arranged to celebrate my father\u2019s 80<sup>th<\/sup> birthday. \u00a0These are lyrics that he wrote when he was only a young teenager, 18 years old, about the dramatic, violent \u2013 and sometimes eerie \u2013 forces of nature, which prevail in the fall, especially at night, killing off all vegetation, calling out all the ghosts, elves and giants. When I set music to the poem, I was inspired by the Faroese tradition of singing old medieval ballads and dancing chain dance, because often these old folk ballads are also very dramatic.&#8221;<br \/>\n&#8211; Elin Brimheim Heinesen<\/p><\/blockquote>\n<h5>Music &amp; Lyrics Creation:<\/h5>\n<p><strong>Composer:<\/strong> Elin Brimheim Heinesen (2012)<br \/>\n<strong>Lyrics:<\/strong> Jens Pauli Heinesen (1951)<br \/>\n<strong>Lyrics Rewritten In English:<\/strong> Elin Brimheim Heinesen (2020)<br \/>\n<strong>Orchestration For Orchestra And Choir:<\/strong> Enzo De Rosa<\/p>\n<h5>Orchestra Recordings:<\/h5>\n<p><strong>Orchestra:<\/strong> \u010cnso &#8211; Czech National Symphony Orchestra<br \/>\n<strong>Orchestra Conductor:<\/strong> Vladimir Martinka<br \/>\n<strong>Recording Exec. Producer &amp; Supervisor:<\/strong> Laura Lungu<br \/>\n<strong>Sound Engineer:<\/strong> Stanislav Baroch<br \/>\n<strong>Protools Assistant:<\/strong> Martin Maslowski<br \/>\n<strong>Recording Studio:<\/strong> \u010cnso Studios, Prague, Czech Republic<\/p>\n<h5>Vocal &amp; Choir Recordings:<\/h5>\n<p><strong>Lead Vocal:<\/strong> Elin Brimheim Heinesen<br \/>\n<strong>Lead Vocal Sound Engineer:<\/strong> B\u00e1r\u00f0ur H\u00e1berg<br \/>\n<strong>Lead Vocal Recording Studio:<\/strong> Private Studio, T\u00f3rshavn, Faroe Islands<br \/>\n<strong>Choir:<\/strong> K\u00f3ri\u00f0 Tarira (20 M\/K Choir)<br \/>\n<strong>Choir Conductor:<\/strong> Bernhar\u00f0ur Wilkinson<br \/>\n<strong>Choir Sound Engineer:<\/strong> Kristoffer M\u00f8rk\u00f8re<br \/>\n<strong>Choirs Recording Studio:<\/strong> H\u00e1t\u00fan, T\u00f3rshavn, Faroe Islands<\/p>\n<h5>Mixing &amp; Mastering:<\/h5>\n<p><strong>Mixing Of Orchestra And Choir:<\/strong> Ben Ewing<br \/>\n<strong>Mixing Of Lead Vocal:<\/strong> Ben Ewing \/ B\u00e1r\u00f0ur H\u00e1berg<br \/>\n<strong>Mastering:<\/strong> Camilo De Silva F Mastering<\/p>\n<hr \/>\n<p><em>The song in Faroese:<br \/>\n<\/em><em>Listen here:<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/odesli.co\/embed\/?url=https%3A%2F%2Fsong.link%2Fheystnattin&amp;theme=light\" width=\"100%\" height=\"52\" frameborder=\"0\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/em><\/p>\n<h4>HEYSTN\u00c1TTIN<\/h4>\n<p>Legst \u00e1 brekkur og var\u00f0ar<br \/>\nt\u00e1 dagurin varliga sk\u00fdmir<br \/>\neitt lag av h\u00e1\u00f0andi myrkri<br \/>\ni\u00f0 kemur, t\u00e1 lj\u00f3si\u00f0 r\u00fdmir<br \/>\nDey\u00f0in er alt\u00ed\u00f0 kvirrur<br \/>\nt\u00f8gn gl\u00f8\u00f0ir honum \u00far eygum<br \/>\nN\u00e1ttin er hansara l\u00e1tur<br \/>\ni\u00f0 vekir hamin hj\u00e1 dey\u00f0um<\/p>\n<p>Livnar \u00ed v\u00e1tum lyngi<br \/>\n\u00e1 s\u00fdnum og gomlum g\u00f8tum<br \/>\nB\u00f8llutir steinar skakkir<br \/>\nvakna \u00e1 v\u00ed\u00f0um fl\u00f8tum<br \/>\nVindar, i\u00f0 fara og koma<br \/>\nt\u00e6ttar og tungar n\u00e6tur<br \/>\nsu\u00f0a \u00ed dey\u00f0um grasi<br \/>\nsum barn i\u00f0 m\u00f3\u00f0urleyst gr\u00e6tur<\/p>\n<p>Livnar \u00ed sv\u00f8rtum botnum<br \/>\n\u00ed homrum og dj\u00fapum gj\u00e1um<br \/>\nVitleyst berst m\u00f3ti lofti<br \/>\nl\u00e1tur \u00far t\u00f3mum kr\u00e1um<br \/>\nF\u00f8\u00f0ast og farast \u00ed hvirlum<br \/>\nn\u00e1ttarlj\u00f3\u00f0 undir fj\u00f8llum<br \/>\nVaksa \u00ed mannahugum<br \/>\ntil s\u00fasan av \u00f3s\u00e6ddum tr\u00f8llum<\/p>\n<p>Dey\u00f0in, hin bl\u00e1nandi \u00e6vi<br \/>\n\u00f3taldar glanandi g\u00e1tur<br \/>\n\u00c1 h\u00e1\u00f0andi heystarn\u00e1ttum<br \/>\nhoyrir t\u00fa hansara l\u00e1tur<br \/>\nF\u00f8tur, i\u00f0 bangnir fer\u00f0ast<br \/>\n\u00e1 n\u00e1tt yvir f\u00f8lna\u00f0ar urtir<br \/>\n:||: Rodnar ein kj\u00e1lki \u00ed eystri<br \/>\ni\u00f0 bl\u00e6sur n\u00e1ttina burtur :||:<\/p>\n<hr \/>\n<p><em>Same song in English:<br \/>\nListen here:<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/odesli.co\/embed\/?url=https%3A%2F%2Fsong.link%2FAutumn-Night&amp;theme=light\" width=\"100%\" height=\"52\" frameborder=\"0\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/em><\/p>\n<h4>AUTUMN NIGHT<\/h4>\n<p>Night falls on cairns on the hillsides<br \/>\nnow the day has warily darkened<br \/>\nenshrouds them in tarnishing twilight<br \/>\nthat follows when light grows absent<br \/>\nThe reaper is always quiet<br \/>\nHis eyes shining scarlet with stillness<br \/>\nThe night is his rowdy riot<br \/>\nthat wakes up the ghosts of the lifeless<\/p>\n<p>Glistening heather awakens<br \/>\non old paths on mountain-edges<br \/>\nRounded boulders lie frightened<br \/>\nrise up on open stretches<br \/>\nWinds come and go on the moorland<br \/>\nDarkness is dense and defying<br \/>\nwhispers in withered grassland<br \/>\nlike motherless children crying<\/p>\n<p>Pitch-dark gorges awaken<br \/>\nin clefts and abysmal trenches<br \/>\nMadly carried up skywards<br \/>\nlaughter from shrivelled sedges<br \/>\nBorn and then lost in whirlwinds<br \/>\nnightly noise under mountains<br \/>\nsoaring in human senses<br \/>\nto gabble from ghostly giants<\/p>\n<p>Death, that infinite bottom<br \/>\ncountless mysteries glaring<br \/>\nOn noxious nights in the autumn<br \/>\nhis laughter is heard, unsparing<br \/>\nFearful feet are out rushing<br \/>\nin darkness on withered flowers<br \/>\n:||: A cheek in the east is blushing<br \/>\nand blows off the nightly powers :||:<\/p>\n<hr \/>\n<h4>4. EG GANGI VI\u00d0 EINUM DJ\u00daPI \/<br \/>\n10. THE CHASM DEEP WITHIN<\/h4>\n<blockquote><p>&#8220;It is no secret that my father suffered from deep depressions from time to time. When you read this poem, it becomes apparent that he knew what he was talking about.\u00a0 This is a poem about the existential crisis many people experience at the low points in their life. Life can be tough, and most people are somehow wounded by bad life experiences. When life isn\u2019t as kind to people as they would wish, they may start to believe that life is not fair and get bitter and angry at everything. This bitterness can destroy people from within and make them hateful. But perhaps there is relief in religious or spiritual beliefs &#8211; at least in the belief in the goodness of mankind. That was one thing my father never lost faith in.&#8221;<br \/>\n&#8211; Elin Brimheim Heinesen<\/p><\/blockquote>\n<h5>Music &amp; Lyrics Creation:<\/h5>\n<p><strong>Composer:<\/strong> Elin Brimheim Heinesen (2020)<br \/>\n<strong>Lyrics:<\/strong> Jens Pauli Heinesen (1970)<br \/>\n<strong>Lyrics Rewritten In English:<\/strong> Elin Brimheim Heinesen (2020)<br \/>\n<strong>Orchestration For Orchestra And Choir:<\/strong> Enzo De Rosa<\/p>\n<h5>Orchestra Recordings:<\/h5>\n<p><strong>Orchestra:<\/strong> \u010cnso &#8211; Czech National Symphony Orchestra<br \/>\n<strong>Orchestra Conductor:<\/strong> Vladimir Martinka<br \/>\n<strong>Recording Exec. Producer &amp; Supervisor:<\/strong> Laura Lungu<br \/>\n<strong>Sound Engineer:<\/strong> Stanislav Baroch<br \/>\n<strong>Protools Assistant:<\/strong> Martin Maslowski<br \/>\n<strong>Recording Studio:<\/strong> \u010cnso Studios, Prague, Czech Republic<\/p>\n<h5>Vocal &amp; Choir Recordings:<\/h5>\n<p><strong>Lead Vocal:<\/strong> Elin Brimheim Heinesen<br \/>\n<strong>Lead Vocal Sound Engineer:<\/strong> B\u00e1r\u00f0ur H\u00e1berg<br \/>\n<strong>Lead Vocal Recording Studio:<\/strong> Private Studio, T\u00f3rshavn, Faroe Islands<br \/>\n<strong>Choir:<\/strong> K\u00f3ri\u00f0 Tarira (20 M\/K Choir)<br \/>\n<strong>Choir Conductor:<\/strong> Bernhar\u00f0ur Wilkinson<br \/>\n<strong>Choir Sound Engineer:<\/strong> Kristoffer M\u00f8rk\u00f8re<br \/>\n<strong>Choirs Recording Studio:<\/strong> H\u00e1t\u00fan, T\u00f3rshavn, Faroe Islands<\/p>\n<h5>Mixing &amp; Mastering:<\/h5>\n<p><strong>Mixing Of Orchestra And Choir:<\/strong> Ben Ewing<br \/>\n<strong>Mixing Of Lead Vocal:<\/strong> Ben Ewing \/ B\u00e1r\u00f0ur H\u00e1berg<br \/>\n<strong>Mastering:<\/strong> Camilo De Silva F Mastering<\/p>\n<div class=\"layoutArea\">\n<hr \/>\n<p><em>The song in Faroese:<br \/>\nListen here:<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/odesli.co\/embed\/?url=https%3A%2F%2Fsong.link%2Feg-gangi-vid-einum-djupi&amp;theme=light\" width=\"100%\" height=\"52\" frameborder=\"0\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/em><\/p>\n<div class=\"layoutArea\">\n<h4><span style=\"font-size: 1.25em;\">EG GANGI VI\u00d0 EINUM DJ\u00daPI<\/span><\/h4>\n<\/div>\n<\/div>\n<p>Eg gangi vi\u00f0 einum dj\u00fapi<br \/>\nav r\u00e6\u00f0slu, hati og skuld<br \/>\nTa\u00f0 dj\u00fapi\u00f0 er fostra\u00f0 av s\u00e1rum<br \/>\ni\u00f0 liva og bl\u00f8\u00f0a \u00ed duld.<br \/>\nEg p\u00ednist av hesum dj\u00fapi<br \/>\nhar alt er hatur og ney\u00f0<br \/>\n:||: hvar vanlukkur s\u00edggjast at tr\u00edvast<br \/>\nog mannab\u00f8rn liggja dey\u00f0 :||:<\/p>\n<p>Men fram av teim r\u00e6\u00f0sludj\u00fapum<br \/>\ni\u00f0 loga \u00ed mannaond<br \/>\nhar veksur hin \u00e6vigi botnur<br \/>\ni\u00f0 brennur \u00e1 dey\u00f0ans strond<br \/>\nSkal me\u00f0an ta\u00f0 sk\u00fdmir \u00ed ver\u00f8ld<br \/>\nog dagarnir renna framvi\u00f0<br \/>\n:||: eg vi\u00f0 hesum dj\u00fapi ganga<br \/>\nog einafer\u00f0 farast har\u00ed? :||:<\/p>\n<p>Nei, lei\u00f0 meg, t\u00fa grundari hjartans<br \/>\ntil pl\u00e1ssi\u00f0, n\u00fa tveyt\u00fasund \u00e1r<br \/>\nhar \u00f3ndir tokkar forfarast<br \/>\nog hatur f\u00e6r banas\u00e1r<br \/>\nJa, lei\u00f0 meg t\u00fa grundari hjartans<br \/>\ntil pl\u00e1ssi\u00f0, n\u00fa tveyt\u00fasund \u00e1r<br \/>\n:||: har \u00f3ndir tokkar forfarast<br \/>\nog hatur f\u00e6r banas\u00e1r :||:<\/p>\n<hr \/>\n<p><em>Same song in English:<br \/>\nListen here:<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/odesli.co\/embed\/?url=https%3A%2F%2Fsong.link%2FThe-Chasm-Deep-Within&amp;theme=light\" width=\"100%\" height=\"52\" frameborder=\"0\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/em><\/p>\n<h4>THE CHASM DEEP WITHIN<\/h4>\n<p>I walk with a chasm deep within me<br \/>\nof horror, of hate and of guilt<br \/>\nThis horror is fostered by lesions<br \/>\nthat bleed and reside concealed<br \/>\nI\u2019m plagued by this chasm deep within me<br \/>\nwhere all is just hatred and dread<br \/>\n:||: where tragedy seems to flourish<br \/>\nand human beings lie dead :||:<\/p>\n<p>But out from these depths of horror<br \/>\nthat flame within human minds<br \/>\nthis endless hollow is swelling<br \/>\nthat burns at the shores of demise<br \/>\nShould I while the world slowly darkens<br \/>\nand days fly hastily by<br \/>\n:||: walk with this chasm deep within me<br \/>\nand perish in it one day? :||:<\/p>\n<p>No, please, my pondering heart, lead me<br \/>\nto that place, now two thousand years<br \/>\nwhere evil desires dwindle<br \/>\nand hate gets its terminal tear<br \/>\nYes, please, my pondering heart, lead me<br \/>\nto that place, now two thousand years<br \/>\n:||: where evil desires dwindle<br \/>\nand hate gets its terminal tear :||:<\/p>\n<hr \/>\n<h4>5. S\u00d3LEYAN L\u00ddSIR UM FL\u00d8TUR \/<br \/>\n11. BUTTERCUPS LIGHT UP THE MEADOWS<\/h4>\n<p><em>Music video in Faroese:<\/em><br \/>\n<iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/KHFIqjqT4Gg?si=eX6yvYP2tyOxbgSF\" width=\"700\" height=\"450\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><em>Music video in English:<\/em><br \/>\n<iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8RDofwQg284?si=dFmgRofGZeoFbDOR\" width=\"700\" height=\"450\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<blockquote><p>&#8220;This is a song that I composed in 2012 to a poem by my father and arranged for a choir in connection with the celebration of his 80<sup>th<\/sup> birthday. He died a year earlier, unfortunately. My father wrote the poem in the 1960&#8217;s when the Cold War was at its peak. At that time everyone had a sense of something ominous that could hit them anytime out of nowhere. But, still, people just had to live life, as if the threat did not exist. This probably caused a sort of fatalism among people. But, typical of my father, he always had an eye for the big picture and for nature, which just exists without the slightest regard for what we humans do. After all, the days, the nights, the seasons just keep coming and going, and the buttercup blossoms incessantly. In the great context, man is so infinitely small compared to much greater powers at play, which can shatter the whole world in the blink of an eye. Quite relevant to think about, now that humanity had to face the threat of the Corona pandemic, war and an ensuing global financial crisis.&#8221;<br \/>\n&#8211; Elin Brimheim Heinesen<\/p><\/blockquote>\n<h5>Music &amp; Lyrics Creation:<\/h5>\n<p><strong>Composer:<\/strong> Elin Brimheim Heinesen (2012)<br \/>\n<strong>Lyrics:<\/strong> Jens Pauli Heinesen (1964)<br \/>\n<strong>Lyrics Rewritten In English:<\/strong> Elin Brimheim Heinesen<br \/>\n<strong>Orchestration For Orchestra And Choir:<\/strong> Enzo De Rosa<\/p>\n<h5>Orchestra Recordings:<\/h5>\n<p><strong>Orchestra:<\/strong> City of Prague Philharmonic Orchestra<br \/>\n<strong>Orchestra Conductor:<\/strong> Adam Klemens<br \/>\n<strong>Recording Exec. Producer &amp; Supervisor:<\/strong> Laura Lungu<br \/>\n<strong>Sound Engineer:<\/strong> Jan Holzner<br \/>\n<strong>Protools Assistant<\/strong>: Michael Hradisky<br \/>\n<strong>Recording Studio:<\/strong> Smecky Music Studio, Prague, Czech Republic<\/p>\n<h5>Vocal &amp; Choir Recordings:<\/h5>\n<p><strong>Lead Vocal:<\/strong> Elin Brimheim Heinesen<br \/>\n<strong>Lead Vocal Sound Engineer:<\/strong> B\u00e1r\u00f0ur H\u00e1berg<br \/>\n<strong>Lead Vocal Recording Studio:<\/strong> Private Studio, T\u00f3rshavn, Faroe Islands<br \/>\n<strong>Choir:<\/strong> T\u00f3rshavnar Mansk\u00f3r (60-man choir)<br \/>\n<strong>Choir Conductor:<\/strong> Bjarni Restorff<br \/>\n<strong>Choir Sound Engineer:<\/strong> Finnur Hansen<br \/>\n<strong>Choirs Recording Studio:<\/strong> H\u00e1t\u00fan, T\u00f3rshavn, Faroe Islands<\/p>\n<h5>Mixing &amp; Mastering:<\/h5>\n<p><strong>Mixing Of Orchestra And Choir:<\/strong> Finnur Hansen<br \/>\n<strong>Mixing Of Lead Vocal:<\/strong> B\u00e1r\u00f0ur H\u00e1berg<br \/>\n<strong>Mastering:<\/strong> Camilo De Silva F Mastering<\/p>\n<h4><\/h4>\n<hr \/>\n<p><em>The song in Faroese:<br \/>\nListen here:<\/em><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/odesli.co\/embed\/?url=https%3A%2F%2Fsong.link%2Fsoleyan&amp;theme=light\" width=\"100%\" height=\"52\" frameborder=\"0\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4>S\u00d3LEYAN L\u00ddSIR UM FL\u00d8TUR<\/h4>\n<p>Kv\u00f8ldar \u00e1 sundi, n\u00e1tt er \u00ed n\u00e1nd<br \/>\nS\u00f3lin at havgeiri dregur<br \/>\nN\u00e1tarnir fl\u00fagva at sovandi strond<br \/>\nMinnini hava so kalda hond<br \/>\ni\u00f0 k\u00ednir t\u00e6r, t\u00e1 i\u00f0 t\u00fa svevur<\/p>\n<p>Streymar \u00e1 sundi, streymar \u00ed m\u00e6r<br \/>\nbroddur av drepandi iva<br \/>\nsum melur \u00ed klingur, b\u00f8nar um svar<br \/>\nMen duni\u00f0 \u00fat \u00far gj\u00e1unum l\u00e6r<br \/>\nat okkum, i\u00f0 elska, i\u00f0 liva<\/p>\n<p>&#8230;&#8230;&#8230;&#8230;..<\/p>\n<p>Tey sp\u00e6la bert vi\u00f0 okkum, l\u00edvsins kor<br \/>\nt\u00e6r s\u00e6lu, lygnandi l\u00f8tur<br \/>\nn\u00fa lombini leika \u00ed gr\u00f8nari skor<br \/>\nog heimar smildrast vi\u00f0 eittans or\u00f0<br \/>\nog s\u00f3leyan l\u00fdsir um fl\u00f8tur<br \/>\nS\u00f3leyan l\u00fdsir um fl\u00f8tur<\/p>\n<hr \/>\n<p><em>Same song in English:<br \/>\nListen here:<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/odesli.co\/embed\/?url=https%3A%2F%2Fsong.link%2FButtercupsLightUpTheMeadows&amp;theme=light\" width=\"100%\" height=\"52\" frameborder=\"0\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/em><\/p>\n<h4>BUTTERCUPS LIGHT UP THE MEADOWS<\/h4>\n<p>Dusk on the sound, day lingers no more<br \/>\nThe sun falls behind the horizon<br \/>\nThe fulmars fly full to the slumbering shore<br \/>\nThe memories stroke you, cold and sore<br \/>\nat night from where dreams are arising<\/p>\n<p>Streams on the sound, fast flowing in me<br \/>\na pinching of gruelling misgivings<br \/>\nswirls round and round, begging, yearning for heed<br \/>\nBut rumble from gorges revels in glee<br \/>\nat us and our loving and living<\/p>\n<p>&#8230;&#8230;&#8230;&#8230;..<\/p>\n<p>They play around with us, all palettes of life<br \/>\nthese blissful and marvellous moments<br \/>\nwhile lambs are at play on grassy hillsides<br \/>\nand worlds are smashed by a single might<br \/>\nwhile buttercups light up the meadows<br \/>\nButtercups light up the meadows<\/p>\n<hr \/>\n<h4>6. EITT D\u00ddPI AV D\u00ddRARI T\u00cd\u00d0 \/<br \/>\n12. A CHASM OF PRECIOUS TIME<\/h4>\n<blockquote><p>&#8220;This was the first song I wrote to a poem by my father. My father wrote the poem only 21 years old, right after his then girl friend had broken up with him. The poem is not about unhappy love, though. On the contrary. It is more about hope \u2013 about how life is a precious gift even when we go through hard times and life seems meaningless. I think my father wrote this poem to comfort himself. The song was first released on an album back in 1988, and later again in 2002, when my father turned 70, but this time in a symphonic version with orchestra, a male choir and me as the lead vocalist. Back then Gulla \u00d8regaard, a documentarist, wanted to make a TV-documentary about my father, and wanted to use this song in her documentary. Of course, I said yes, and then she raised funding, which made it possible to record the song with a symphony orchestra. I asked a Danish composer, S\u00f8ren Hyldgaard, to help making a symphonic arrangement for the song. The music was recorded in Prague with the City of Prague Philharmonic Orchestra. S\u00f8ren and I had an excellent cooperation, but unfortunately, S\u00f8ren died some years ago due to illness. It is no exaggeration to say that the song &#8220;Eitt d\u00fdpi av d\u00fdrari t\u00ed\u00f0&#8221; got a very good reception. In a poll conducted by the Faroe Islands national radio, Kringvarp F\u00f8roya, in 2018, the listeners were asked which song they thought was the best of all the thousands of Faroese songs published in the last 50 years. &#8220;Eitt d\u00fdpi av d\u00fdrari t\u00ed\u00f0&#8221; came in as the fourth most popular song, which I am obviously very proud of. Listen to the song &#8220;Ett d\u00fdpi av d\u00fdrari t\u00ed\u00f0, that S\u00f8ren Hyldgaard arranged, on this page: <a href=\"https:\/\/heinesen.fo\/en\/index.php\/a-popular-song\/\">A Popular Song,<\/a> where yyou can listen to the original version as well as the symphonic version, and read more about the song. The lyrics have been translated by other people previously, but I decided to make my own translation trying to be as faithful to the original poem as I could, and that is the translation you hear on this album.&#8221;<br \/>\n&#8211; Elin Brimheim Heinesen<\/p><\/blockquote>\n<h5>Music &amp; Lyrics Creation:<\/h5>\n<p><strong>Composer:<\/strong> Elin Brimheim Heinesen (1987)<br \/>\n<strong>Lyrics:<\/strong> Jens Pauli Heinesen (1953)<br \/>\n<strong>Lyrics Rewritten In English:<\/strong> Elin Brimheim Heinesen (2020)<br \/>\n<strong>Orchestration For Orchestra And Choir:<\/strong> S\u00f8ren Hyldgaard<\/p>\n<h5>Orchestra Recordings:<\/h5>\n<p><strong>Orchestra:<\/strong> City of Prague Philharmonic Orchestra<br \/>\n<strong>Orchestra Conductor:<\/strong> Mario Klemens<br \/>\n<strong>Recording Studio:<\/strong> Smecky Music Studio, Prague, Czech Republic<\/p>\n<h5>Vocal &amp; Choir Recordings:<\/h5>\n<p><strong>Lead Vocal:<\/strong> Elin Brimheim Heinesen<br \/>\n<strong>Lead Vocal Sound Engineer:<\/strong> Finnur Hansen, B\u00e1r\u00f0ur H\u00e1berg<br \/>\n<strong>Lead Vocal Recording Studio:<\/strong> \u00datvarpsh\u00f8llin, T\u00f3rshavn, Faroe Islands<br \/>\n<strong>Choir:<\/strong> T\u00f3rshavnar Mansk\u00f3r (60-man choir)<br \/>\n<strong>Choir Conductor:<\/strong> Bjarni Restorff<br \/>\n<strong>Choir Sound Engineer:<\/strong> Finnur Hansen<br \/>\n<strong>Choirs Recording Studio:<\/strong> \u00datvarpsh\u00f8llin, T\u00f3rshavn, Faroe Islands<\/p>\n<h5>Mixing &amp; Mastering:<\/h5>\n<p><strong>Mixing Of Orchestra and Choir:<\/strong> Finnur Hansen<br \/>\n<strong>Remixing:<\/strong> Ben Ewing<br \/>\n<strong>Remixing Of Lead Vocal:<\/strong> Finnur Hansen, B\u00e1r\u00f0ur H\u00e1berg<br \/>\n<strong>Mastering:<\/strong> Camilo De Silva F Mastering<\/p>\n<hr \/>\n<p><span style=\"font-size: 1em;\"><i>The song in Faroese:<br \/>\n<\/i><\/span><span style=\"font-size: 1em;\"><i>Listen here:<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/odesli.co\/embed\/?url=https%3A%2F%2Fsong.link%2FEitt-dypi-av-dyrari-tid&amp;theme=light\" width=\"100%\" height=\"52\" frameborder=\"0\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<\/i><\/span><\/p>\n<h4><span style=\"font-size: 1em;\">EITT D\u00ddPI AV D\u00ddRARI T\u00cd\u00d0<\/span><\/h4>\n<p><span style=\"font-size: 1em;\">So ver\u00f0ur sagt av monnum<br \/>\n<\/span>at l\u00edvi\u00f0 er markleys ney\u00f0<br \/>\neitt d\u00fdpi av gr\u00e1um d\u00f8gum<br \/>\nog b\u00f8rn, i\u00f0 bi\u00f0ja um brey\u00f0<br \/>\nKanska er l\u00edvi\u00f0 sorgarlag<br \/>\nKanska er l\u00edvi\u00f0 gott<br \/>\nOg kanska eg ein sk\u00ednandi dag<br \/>\nberi kenslu av myrkari n\u00e1tt<\/p>\n<p>\u00cd n\u00e1tt er luftin so rein og kl\u00e1r<br \/>\nbl\u00e1dj\u00fap og \u00edsandi k\u00f8ld<br \/>\nFoldin hv\u00edlir \u00ed hv\u00edtari t\u00f8gn<br \/>\nog nor\u00f0l\u00fdsi\u00f0 reisir s\u00e6r tj\u00f8ld<br \/>\nOg vit m\u00edtt er fult av tonkum<br \/>\n\u00e1 fer\u00f0 \u00fat \u00e1 v\u00ed\u00f0an veg<br \/>\nat finna \u00e1 mi\u00f0leysu n\u00e1ttargongd<br \/>\ntann v\u00edsd\u00f3m, i\u00f0 uggar meg<\/p>\n<p>Men ongan v\u00edsd\u00f3m eg finni<br \/>\ni\u00f0 sigur tey sonnu or\u00f0<br \/>\nSum bl\u00f8\u00f0andi fuglar falla tey<br \/>\naftur at hv\u00edtari for<br \/>\nT\u00f3 eg veit at d\u00fdrgripir finnast<br \/>\nog fjalast vi\u00f0 gr\u00e1an eim<br \/>\nt\u00e1 gentur og dreingir spenna<br \/>\nsum folar \u00ed dans og gleim<\/p>\n<p>T\u00e1 barmur m\u00edn spentur av undran<br \/>\nav eydnu, av tungari tr\u00e1<br \/>\nav iva og sorgarl\u00f8gum<br \/>\nEisini, eisini t\u00e1<br \/>\n:||: veit eg at l\u00edvi\u00f0 er g\u00e1va<br \/>\neitt d\u00fdpi av d\u00fdrari t\u00ed\u00f0<br \/>\nsum \u00f8ll skulu valla \u00edgj\u00f8gnum<br \/>\nrekast og villast inn\u00ed :||:<\/p>\n<hr \/>\n<p><em>Same song in English:<br \/>\nListen here:<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/odesli.co\/embed\/?url=https%3A%2F%2Fsong.link%2FA-Chasm-Of-Precious-Time&amp;theme=light\" width=\"100%\" height=\"52\" frameborder=\"0\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/em><\/p>\n<h4>A CHASM OF PRECIOUS TIME<\/h4>\n<p>So many people are saying<br \/>\nthat life is eternal dread<br \/>\na chasm of mournful moments<br \/>\nand children begging for bread<br \/>\nLife may well be a mournful song<br \/>\nLife may well be alright<br \/>\nAnd maybe I on a sunshiny day<br \/>\nremember a shadowy night<\/p>\n<p>Tonight, the air is so pure and clear<br \/>\ndeep blue and icy cold<br \/>\nEarth lies beneath a silent, white layer<br \/>\nand northern lights let their veils fold<br \/>\nMy mind is so full of wondering<br \/>\nand travelling far in the blind<br \/>\ntonight, without heading or purpose trying<br \/>\nto heartening wisdom find<\/p>\n<p>But there is no wisdom to gather<br \/>\nthat brings out those trusty words<br \/>\nLike bleeding birds, they shatter right down<br \/>\nback on the snow-covered earth<br \/>\nBut I know that treasures are buried<br \/>\ndeep down in the ember\u2019s grey<br \/>\nwhen girls and boys, unwearied<br \/>\nare dancing like foals in play<\/p>\n<p>That is when my heart bursts with wonder<br \/>\nof yearn and deep melancholy<br \/>\nof doubt and of bliss and shudder<br \/>\nEven those moments I see<br \/>\n:||: see that this life is an offering<br \/>\na chasm of precious time, you<br \/>\nwere given to go through exploring<br \/>\nto drift and to stray deep into :||:<\/p>\n<hr \/>\n<h3>CREDIT LIST FOR THE WHOLE ALBUM<\/h3>\n<h4>Music &amp; Lyrics Creation:<\/h4>\n<p><strong>Composer (Songs 1-6 \/ 7-12):<\/strong> ELIN BRIMHEIM HEINESEN<br \/>\n<strong>Lyrics (Songs 1-6):<\/strong> JENS PAULI HEINESEN<br \/>\n<strong>Lyrics rewritten in English (Songs 7-12):<\/strong> ELIN BRIMHEIM HEINESEN<br \/>\n<strong>Orchestration for Orchestra and Choir (Songs 1-5 \/ 7-11):<\/strong> ENZO DE ROSA<br \/>\n<strong>Orchestration for Orchestra and Choir (Song 6 \/ 12):<\/strong> S\u00d8REN HYLDGAARD<\/p>\n<h4>Orchestra Recordings:<\/h4>\n<p><strong>Orchestra (Songs 1-4 \/ 7-10):<\/strong> \u010cNSO &#8211; CZECH NATIONAL SYMPHONY ORCHESTRA<br \/>\n<strong>Orchestra conductor (Songs 1-4 \/ 7-10):<\/strong> VLADIMIR MARTINKA<br \/>\n<strong>Orchestra (Songs 5-6 \/ 11-12):<\/strong> CITY OF PRAGUE PHILHARMONIC ORCHESTRA<br \/>\n<strong>Orchestra conductor (Song 5 \/ 11):<\/strong> ADAM KLEMENS<br \/>\n<strong>Orchestra conductor (Song 6 \/ 12):<\/strong> MARIO KLEMENS<br \/>\n<strong>Recording Exec. Producer &amp; Supervisor (Songs 1-5 \/ 7-11):<\/strong> LAURA LUNGU<br \/>\n<strong>Sound Engineer (Songs 1-4 \/ 7-10):<\/strong> STANISLAV BAROCH<br \/>\n<strong>Sound Engineer (Song 5 \/ 11):<\/strong> JAN HOLZNER<br \/>\n<strong>ProTools Assistant (Songs 1-4 \/ 7-10):<\/strong> MARTIN MASLOWSKI<br \/>\n<strong>ProTools Assistant (Song 5 \/ 11):<\/strong> MICHAEL HRADISKY<br \/>\n<strong>Recording Studio (Songs 1-4 \/ 7-10):<\/strong> \u010cNSO STUDIOS, Prague, Czech Republic<br \/>\n<strong>Recording Studio (Songs 5-6 \/ 11-12):<\/strong> SMECKY MUSIC STUDIO, Prague, Czech Republic<\/p>\n<h4>Voice &amp; Choir Recordings:<\/h4>\n<p><strong>Lead Vocal (Songs 1-6 \/ 7-12):<\/strong> ELIN BRIMHEIM HEINESEN<br \/>\n<strong>Lead Vocal Sound Engineer (Songs 1-5 \/ 7-11):<\/strong> B\u00c1R\u00d0UR H\u00c1BERG<br \/>\n<strong>Lead Vocal Sound Engineer (Song 6 \/ 12):<\/strong> FINNUR HANSEN<br \/>\n<strong>Lead Vocal Recording Studio (Songs 1-6 \/ 7-12):<\/strong> PRIVATE STUDIO, T\u00f3rshavn, Faroe Islands<br \/>\n<strong>Lead Vocal Recording Studio (Song 6 \/ 12):<\/strong> \u00daTVARPSH\u00d8LLIN, T\u00f3rshavn, Faroe Islands<br \/>\n<strong>Choir (Songs 1-4 \/ 7-10):<\/strong> K\u00d3RI\u00d0 TARIRA (20 m\/k choir)<br \/>\n<strong>Choir Conductor (Songs 1-4 \/ 7-10):<\/strong> BERNHAR\u00d0UR WILKINSON<br \/>\n<strong>Choir Sound Engineer (Songs 1-4 \/ 7-10):<\/strong> KRISTOFFER M\u00d8RK\u00d8RE<br \/>\n<strong>Choir (Songs 5-6 \/ 11-12):<\/strong> T\u00d3RSHAVNAR MANSK\u00d3R (60-man choir)<br \/>\n<strong>Choir Conductor (Songs 5-6 \/ 11-12):<\/strong> BJARNI RESTORFF<br \/>\n<strong>Choir Sound Engineer (Songs 5-6 \/ 11-12):<\/strong> FINNUR HANSEN<br \/>\n<strong>Choir Recording Studio (Songs 1-5 \/ 7-11):<\/strong> H\u00c1T\u00daN, T\u00f3rshavn, Faroe Islands<br \/>\n<strong>Choir Recording Studio (Song 6 \/ 12):<\/strong> \u00daTVARPSH\u00d8LLIN, T\u00f3rshavn, Faroe Islands<\/p>\n<h4>Mixing &amp; Mastering:<\/h4>\n<p><strong>Mixing of Orchestra and Choir (Songs 5-6 \/ 11-12):<\/strong> FINNUR HANSEN<br \/>\n<strong>Mixing of Orchestra and Choir (Songs 1-4, 6 \/ 7-10, 12):<\/strong> BEN EWING<br \/>\n<strong>Mixing of Lead Vocal (Songs 1-4, 6 \/ 7-10, 12):<\/strong> BEN EWING<br \/>\n<strong>Mixing of Lead Vocal (Songs 1-6 \/ 7-12):<\/strong> B\u00c1R\u00d0UR H\u00c1BERG<br \/>\n<strong>Mastering (Songs 1-6 \/ 7-12):<\/strong> CAMILO DE SILVA F MASTERING<\/p>\n<h4>Photos &amp; Artwork:<\/h4>\n<p><strong>Front Cover Photo (Concert with FSO Nov 12,2022):<\/strong> FR\u00d3\u00d0I VESTERGAARD (The Nordic House, T\u00f3rshavn)<br \/>\n<strong>Back Cover Photo (The Witch\u2019s Finger, Sandav\u00e1gur):<\/strong> ROBERT BAHN<br \/>\n<strong>Other photos:<\/strong> PRIVATE COLLECTION<br \/>\n<strong>Graphic Design:<\/strong> ELIN BRIMHEIM HEINESEN<br \/>\n<strong>Yellow Ornaments on Front Cover &amp; Label:<\/strong> ANNIKA ARGE GREGORIUSSEN<br \/>\n<strong>Layout:<\/strong> R\u00d3GVI ODV\u00d8RSON (F\u00f8royaprent)<\/p>\n<h4>Published by:<\/h4>\n<p>TUTL<br \/>\nReynag\u00f8ta 12<br \/>\nFO-100 To\u0301rshavn<br \/>\nFaroe Islands<br \/>\nwww.tutl.com<br \/>\ninfo@tutl.com<\/p>\n<p>HJF451 * 2023<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(A CHASM OF PRECIOUS TIME) ARTISTS: Elin Brimheim Heinesen, Jens Pauli Heinesen, Enzo De Rosa, Czech National Symphony Orchestra, Tarira Choir, City of Prague Philharmonic Orchestra, T\u00f3rshavnar Mansk\u00f3r RELEASE DATE: Saturday, November 11th, 2023 The late Jens Pauli Heinesen, who is considered to be one of the most prominent writers in the Faroe Islands, was&hellip;<\/p>\n","protected":false},"author":1,"featured_media":1765,"parent":1078,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-401","page","type-page","status-publish","format-standard","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/heinesen.fo\/en\/index.php\/wp-json\/wp\/v2\/pages\/401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/heinesen.fo\/en\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/heinesen.fo\/en\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/heinesen.fo\/en\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/heinesen.fo\/en\/index.php\/wp-json\/wp\/v2\/comments?post=401"}],"version-history":[{"count":80,"href":"https:\/\/heinesen.fo\/en\/index.php\/wp-json\/wp\/v2\/pages\/401\/revisions"}],"predecessor-version":[{"id":3532,"href":"https:\/\/heinesen.fo\/en\/index.php\/wp-json\/wp\/v2\/pages\/401\/revisions\/3532"}],"up":[{"embeddable":true,"href":"https:\/\/heinesen.fo\/en\/index.php\/wp-json\/wp\/v2\/pages\/1078"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/heinesen.fo\/en\/index.php\/wp-json\/wp\/v2\/media\/1765"}],"wp:attachment":[{"href":"https:\/\/heinesen.fo\/en\/index.php\/wp-json\/wp\/v2\/media?parent=401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}